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Mirzo Tursunzade was born May 2, 1911 in the "palms of Asia" - Hissar valley on the banks of a mountain stream Karatag
Born into a wealthy family of a village woodcarver, Mirzo reached for early learning. Foundations of the letters he received in the madrasas in the neighboring mosque. And when, after the establishment of Soviet power in Karatag opened a boarding school for poor children, was one of her first students. A year later he was transferred to an orphanage in Dushanbe - is one of his teachers was the legendary Lahuti.
As the best student teacher college Mirzo sent to continue his studies at the Tajik Institute of Education in Tashkent. Mirzo only 19 years old when, having finished education, he began his career in the newspaper "the Komsomol Tojikiston" and included in the core of the Komsomol, the Soviet Tajik writers created dehot, Ulug-Zadeh, Mirshakar. "I was only nineteen and twenty years for the new life we ??have not fought only in verse," - recalled Mirzo. The beginning of his career occurred in the turbulent years of the first five. He not only sang of spiritual beauty and moral rise of the working people's heroism, but it was a direct participant. Perhaps there were no more or less large construction projects, wherever Mirzo not write essays for their paper. He responded in verse on the achievements of workers farm fields, conquerors of new lands. The heroine of his first poem "The Sun of the country" has become a schoolgirl Mamlakat Nahangova, awarded the Order of Lenin for record cotton harvest. The first book Mirzo Tursunzade "Banner of Victory", "Autumn and Spring," "Poems" signaled that the Tajik literature has come a great original poet.
He became a pioneer in a new Tajik culture genre of drama. The play "The Sentence", written in 1934, was awarded first prize at the national literary competition.
During World War poems Mirzo Tursunzade urged fighters to the courage and steadfastness in the sacred fight for their country. Workers of rear drew their faith in victory, strength endure the test of the war years.
Fateh Niazi recalled how powerfully sounded at the front Mirzo poetry. Poem Tursunzade "Son of the Motherland" soldiers first reading in the trenches. And then, many admitted that they feel as though they have received new reinforcements.
Creativity Mirzo Tursunzade absorbed the hopes and intentions of the Soviet people, their work and faith in a bright future, his open heart and sincere affection. In an interview with "Truth" on the occasion of awarding of Hero of Socialist Labor poet said: "My main theme was the theme of freedom remains. It seems to me a very broad, capacious. Freed man - that's the main character of my poems. "Mirzo Tursunzade became the herald of a world without oppression and colonialism, a world without wars and violence. Art and politics were to Mirzo Tursunzade inseparable. He is one of the initiators of the Afro-Asian solidarity. More than twenty years, he headed the Soviet Committee of Solidarity with Asian and African countries. Roads are the meridians of the planet of his poetry. Works Mirzo Tursunzade translated into 50 languages ??of the world. Ustod itself, in turn, translated into the native language of many works of world literature - Pushkin and Shevchenko, Nekrasov, Shota Rustaveli, Zhambyl, and others. Since 1947, he traveled to 32 countries.
He went all over the world not only as a traveler, but also as a poet. His voice was everywhere - in the Indian hut, and in the Spanish boat fisherman.
Friendship of Peoples, which is devoted to poetry Mirzo Tursunzade - not "on duty theme" imposed from the outside of Tajik poetry, as trying to present some modern writers. This theme - an essential tradition of classical poetry from Tajikistan, Rudaki to and from Saadi Ahmad Jami to Donish. It is for Tajik literature, such as eternal as the theme of love for his native land.
At the anniversary party M.Tursun Zadeh in Moscow, his friend and colleague, Nikolai Tikhonov suggested that to this day hardly anyone will dispute: "Mirza-zade ... Trusn - perhaps today - the first poet of the East." He managed to combine both poetry and politics, as is characteristic of a true artist, "the world and all mankind and responsive." The historical fate of the East, who took in the Tajik literature 20-30 years a prominent place, the object of intense apprehension in the late 40's and then in the next decade. Sharing the suffering of the oppressed, responding to them in full voice, welcoming the victory of freedom fighters (which was typical for Lahuti and Payrava) M.Trusun Zadeh went on to develop an international theme. He did not confine the individual events, and tried to identify and understand their poetic social-political pattern, consider the national-liberation movement in the whole of his problems.
17 years later, speaking to Congress two composers Tajikistan, Sergei Artemievich addressed to young music: "The real Tajik opera write you. I did not consider themselves entitled to write an opera whose text is written in Tajik. A. dehot poet, who owned the great Russian language, too, probably, it would be hard to write a poem in that language. "
Indeed, in subsequent years, a number of great operas, continued the business "pioneers" - M.Tursun-Zadeh, A. and S. dehot Balasanyan.
A Mirzo Tursunzade continued its work on the libretto for the opera composer Alexander Lensky "Tahir and Zuhra" on the national scene and a classic "Bride" on a modern theme.
Understandable interest in music to the themes of the authors and subjects of previously created works of folk poet. T. Shahidi wrote the opera "The Keeper of Fire," A. Soliev - vocal-symphonic poem "The Voice of Asia", J. Abdulloyev - cantata Yu.Ter Osipov, created the ballet "The Son of the Motherland", A. Odinayev - symphonic poem, "My Hissar ". The country is actually not the composer, whose works would not attract Mirzo Tursunzade.
Turned to his poetry and leaders of the Tajik cinema. Musical film "I Met a Woman," where national melodies sounded Babaev on cruise poetry Tursunzade was a runaway success in the country and eighty countries. The film has long gone from the screen, and hear songs from it to this day.
Academician Pulatov was a neighbor of Mirzo Tursunzade at home and almost every evening he was walking through the company in court. During these evening conversations Tursunzade smote him for his devotion and filial relation to the motherland. Emphasized that we are infinitely obliged to the motherland for all the blessings that will never, under any social formations have not seen our predecessors, and especially the long-suffering Tajik people. He never tired of repeating that the most precious, that nature intended - a man and his need to love. In Tursunzade had my interpretation of the concept of "internationalist." The poet said: "To be an internationalist, equally we must love and respect yourself, then your family and loved ones, then people and the peoples of his country, and, finally, the people of the entire planet regardless of skin color, religion, language and race."
... Mausoleum Mirzo Tursunzade erected in one of the most beautiful places in the capital - Luchobskom park where he liked to rest, and where, perhaps, were born rows
The Party and Government highly appreciated the merits of Mirzo Tursunzade. Permanent head of the Writers' Union of the Republic, one of the secretaries of the Union of Soviet Writers Mirzo Tursunzade considered to be a wise mentor of many famous writers. A man of rare charm and poetic insight, he easily found a way into the hearts of people. These qualities are successfully combined with large-scale public thinking. Mirzo Tursunzade involved in solving major problems facing the republic and the country. A people's love for the poet, citizen and man, a faithful son of the Tajik land year after year just gets stronger. His name streets, businesses, schools and libraries. The name is ustoda Tajik city of metallurgists.
Mirzo Tursunzade died September 24, 1977 in Dushanbe.
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